- Manon de Boer
- Latifa Laâbissi © Caroline Ablain
MANON DE BOER & LATIFA LAÂBISSIPRINT THIS PAGE
Mixing genres, reflecting upon and redefining formats, Latifa Laâbissi’s (1964, France) work seeks to bring onstage multiple offstage perspectives in which stories, figures and voices are placed and highlighted. Her use of the voice and of the face as a vehicle for minority status and accents became inseparable from her dance movement in Self portrait camouflage (2006) and Loredreamsong (2010). Continuing her reflection on archives, she created Écran somnambule and La part du rite (2012) based on 1920s German dance. Her latest creation, Pourvu qu’on ait l’ivresse (2016), co-created with the stage designer Nadia Lauro, produces visions, landscapes and images in which excess, monstrosity, beauty, uncertainty, the comical and terror coexist.
Since 2011, Latifa Laâbissi has been artistic director of Extension Sauvage, an artistic and educational programme in rural France (Brittany). In 2016, a monograph of her complete works was published by Les Laboratoires d’Aubervilliers and Les presses du réel. Until 2019, Latifa Laâbissi is associate artist at CCN2, the National Choreographic Centre in Grenoble, and at the Le Triangle arts centre in Rennes.
Manon de Boer (1966, India / The Netherlands) completed her artistic education at the Academie Van Beeldende Kunsten, Rotterdam, and at the Rijksacademie van Beeldende Kunsten in Amsterdam. Using personal narration and musical interpretation as both method and subject, de Boer explores the relationship between language, time, and truth claims to produce a series of portrait films in which the film medium itself is continuously interrogated. Her work has been exhibited internationally, at the Venice Biennial (2007), Berlin Biennial (2008), São Paulo Biennial (2010), Documenta (2012), Taipei Biennial (2016) and has also been included in numerous film festivals in Hong Kong, Marseille, Rotterdam and Vienna. Her work has been the subject of monographic exhibitions at Witte de With in Rotterdam (2008), Frankfurter Kunstverein (2008), South London Gallery (2010), Contemporary Art Museum of St Louis (2011), Museum of Art Philadelphia (2012), Van Abbe Museum, NL (2013), Secession Vienna (2016) and Groundwork, GB (2018) among others.
Photo Latifa Laâbissi © Caroline Ablain