PRODUCTIONS - Work Space Brussels

how to apply for a residency

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on stage

C & P ON MARS
EMBODIMENT / purebigfuture
UN-HOME / MOVING STONES
SATELITOUR
COLUMN
The Shadow Cabinet
S_U_N
SYDEN III
SHOWINGS WORKSHOP CREATIVE DOCUMENTARY
CE QUI NOUS LIE
BIG FUTURE
A MATTER OF ANIMATED MOUNTAIN
AAP
"RESEARCH"
NEW WORK
PERI-SPHERE
The water, the soil, the jungle
BELGISCH CONGO BELGE - EXPO BY TUUR & FLUP MARINUS
REVERSED VOLUME
ORIGAMI

co-productions

L'OCEAN
SATELITOUR
COLUMN
RAINBOW I
SYDEN III
VOICE OF NATURE: THE TRIAL
CE QUI NOUS LIE
BIG FUTURE
A MATTER OF ANIMATED MOUNTAIN
AAP
AN BE TAA MI
Parterre
NEW WORK
PERI-SPHERE
WHY WE FIGHT
BELGISCH CONGO BELGE - EXPO BY TUUR & FLUP MARINUS
REVERSED VOLUME
CO(LABO)RATIONS

residencies

∑stuarY
Short of lying
INTER-FACE
ISOLATION
RESEARCH
STILL STANDING
CONSERVATORY
SIX FORMATS
Grey
SOLO
GYMNASTIC TORROT PEDALLO VIBRATOR S.A.
RAIZES
MARCH
WHAT DO WE TALK ABOUT WHEN WE TALK ABOUT PRESENCE
TAFELTAFEL
Antenna
Le Tapis, la Coquille, la Dame et l'Etoile
Mademoiselle X
Fourfold (Autonomous Scenography)
PRICE
Imagine Moving Rocks
STAGING DOCUMENTARY
LIGHT DRAWING
Æ – All ears
THIS KIND OF BIRD FLIES BACKWARDS
Not Just Grass (Working Title)
PASSAGES
LA SOSPESA
The Broom of the System / Janitor of Lunacy
TREPKODOUNE — 1
KAMP
THE INTERNET DOES NOT EXIST
DAILY PRACTICE
TREPKODOUNE — 2
Soirée
TRANSMISSION, THE AMPLIFIED HYPNOTIC TOOL FOR CREATORS
Worker leaves the factory
Being
An Introduction and Many More
Strings
MER-
Perhaps it is high time for a xeno-architecture to match
  • Perhaps it is high time for a xeno-architecture to match
  • ∑stuarY
    ∑stuarY