900 Something Days Spent in the XXth Century

“I lived only a few handful of years in the 20th century. That was enough to regret the European humanist ideal, but too little to see anything more than its skeleton: industrial and commercial infrastructures whose transit networks stretch to infinity.”

© Daniel Roldier
© Daniel Roldier

The performers' collective task is to build distinct ways of using urban space, leaving traces of their negotiations upon the terrain. If the goal of the actions is extremely practical (for example, connecting two ends of the site with a pulley), the means used to achieve it are not. On the contrary, it is a question of taking a thousand and one detours, getting lost along the way, digressing widely… to puke out, to celebrate, to experience it in complete reality. 900 is a quest to activate sites of architectural leftovers, and in doing so, constantly reinvent itself according to the context it meets.

Concept: Némo Flouret — Performed and created: by Synne Elve Enoksen, Némo Flouret, Tessa Hall, Georges Labbat, Margarida Marques Ramalhete, Yonas Peru, Jean-Baptiste Portier, Keren Kraizer — Scenography/Machinery: Kjersti Alm Eriksen — Light/Sound/Machinery: Max Adams — Artistic Support: Solène Wachter, Thomas Birzan — Produced by: Bleu Printemps — Supported by: Centre Chorégraphique National d'Orléans-Direction Maud Le Pladec; Ministère de la Culture - Direction Régionale des Affaires Culturelles; Mairie d'Orléans; Région Centre-Val de Loire Coproductions Charleroi danse - Centre Chorégraphique de Wallonie Bruxelles; Centre Chorégraphique National d'Orléans; La Scène Nationale d'Orléans; L'Antre-Peaux Bourges ; Point Haut - Lieu de création urbaine — Residency support: workspacebrussels

Artist

Residencies

17.03.2021 - 24.03.2021

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